1.0heritohttps://herito.pl/en/Klaudia Słupekhttps://herito.pl/en/author/klaudia-slupek/rich600338<blockquote class="wp-embedded-content" data-secret="SByMvzPn3H"><a href="https://herito.pl/en/artykul/silence-over-6-metres-avant-paris/">Silence Over 6 Mètres Avant Paris</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://herito.pl/en/artykul/silence-over-6-metres-avant-paris/embed/#?secret=SByMvzPn3H" width="600" height="338" title="“Silence Over 6 Mètres Avant Paris” — herito" data-secret="SByMvzPn3H" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://herito.pl/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://herito.pl/wp-content/uploads/2021/10/paris-cz-b.jpg9601280Eustachy Kossakowski’s photographic project 6 mètres avant Paris, taken in France in the summer of 1971, proved a resounding success. Out of the blue, this unknown photographer from Poland, a recent immigrant still in the process of having his residence visa extended, was given a one-man show at the Musée des Arts Decoratifs (Pavillon Marsan, Musée du Louvre) which subsequently toured several European galleries, among them ones as prestigious as Moderna Meseet in Stockholm. It should be stressed here that Kossakowski was a recognisable figure back in Poland; he had not only worked for illustrated magazines such as the weekly Stolica and later the monthly Polska, but had also documented exhibitions and opening ceremonies in Warsaw galleries, and made portraits of artists, writers, composers, musicians, as well as the avant-garde artists at Foksal Gallery and their projects; in a word, he was the photographer of choice for celebrities of the world of culture (as we would say today) and was to an extent a celebrity of the same ilk himself.