{"version":"1.0","provider_name":"herito","provider_url":"https:\/\/herito.pl\/en\/","author_name":"Agnieszka Sachar","author_url":"https:\/\/herito.pl\/en\/author\/agnieszka-sachar\/","title":"Slovak Film and Its Central European Identity in the World of Change - herito","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WTIm5VTOk9\"><a href=\"https:\/\/herito.pl\/en\/artykul\/slovak-film-and-its-central-european-identity-in-the-world-of-change\/\">Slovak Film and Its Central European Identity in the World of Change<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/herito.pl\/en\/artykul\/slovak-film-and-its-central-european-identity-in-the-world-of-change\/embed\/#?secret=WTIm5VTOk9\" width=\"600\" height=\"338\" title=\"&#8220;Slovak Film and Its Central European Identity in the World of Change&#8221; &#8212; herito\" data-secret=\"WTIm5VTOk9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/herito.pl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/herito.pl\/wp-content\/uploads\/2021\/09\/film-slowacki.jpg","thumbnail_width":1212,"thumbnail_height":1080,"description":"The history of Slovak film or of Slovak national cinema enrooted in the Central European context is not very long. In its beginnings, Slovak film was doomed to serve as an institutional, professional and technological base for other countries, above all Bohemia and Germany. Later, when in 1918\u20131939 and 1945\u20131992 Slovakia was part of Czechoslovakia, Slovak film was largely perceived as being part of Czechoslovak cinema. Its emancipation was gradual; and it is worth taking a look at the cultural contexts it invoked."}