Magazines list (45)
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Nations and Stereotypes
History teaches us that international relations are strongly contingent on our representations of others. Even if the beliefs we live by do not find corroboration in reality, we are reluctant to discard stereotypes or prejudice, which Ambrose Bierce called “a vagrant opinion without visible means of support”.
Premiere:2014
Turcja - Türkiye - Turkey
Antemurale Christianitatis – the Bulwark of Christianity – is an important constituent of many national cultures in Central Europe. It is also the experience of the Poland and Poles. Several centuries of the Polish Republic and the Ottoman Empire as neighbours are still alive in the Polish tradition and culture.
Premiere:2014
Conflicts of Memory
Each community devises specific modes of remembering, but also of forgetting uncomfortable facts. Ars memoriae and ars oblivionis constitute an inseparable pair. Common memory is a sphere that we reconstruct anew every day, even though people claim that the essence of their identity is unchanging. While history itself is a closed structure, memory is open both to individuals and to the collectivity. Collective memory reconstructs rather than registers the past; and memory is not necessarily explicit.
Premiere:2013
Rumunia - Romania - România
Romania is a paradoxical country. Although the long 19th century was very kind to it – the young country entered the European arena and quickly acquired an esteemed position – the short 20th century did not spare it in any respect. Trapped between fascism and communism, Romania had chosen the lesser of two evils. Decades in the shadows of “The Sun of the Carpathians” turned out to be the worst years of all. A sad country, full of humour” – George Bacovia’s prophetic words from the 1930s came true in excess.
Premiere:2013
Croatia in Europe
The success of its European integration does not remove certain important questions from the horizon. Who do the Croats feel themselves to be? What is national identity, and is there any sense in discussing such a construct at all? Where is the boundary between “past” and “present”? Should the Yugoslavian idea be filed in the archives of history once and for all? And what role will fall to the Croats in a crisis‑racked Europe?
Premiere:2013
The Elusive Centre (of Europe)
Grasping the centre is a troublesome, difficult or perhaps simply impossible task. Take, for example, the two Visegrads – places with identically sounding names, one in Hungary (Visegrád), the other in Bosnia (Višegrad). The first, which gave its name to them Visegrad Group, is a sign of the possibility of overcoming old feuds and building the foundations for mutual understanding between the countries of Central Europe. The other is a symbol of tragedy and an attempt at rejecting the past, building a future on forgetting.
Premiere:2013
Słowacja - Slovensko - Slovakia
Our main focus is both the past and the present of the Slovaks which is reflected in their culture and identity. On clear days we can see from our office windows the massif of Babia Góra on the horizon; working on this issue we wished to make Slovakia and its culture not only equally visible to but also better understood by its closest and more remote neighbours.
Premiere:2012
Nations - History and Memory
If today is as much a mosaic of nations and their histories as a social tissue of their individual memories, families, milieus and institutions, the sphere that has emerged between them appears to be an area of tension and often conflicts. What kind of conflicts? Whose conflicts? Who and for what purpose do memory and history now serve? These are some of the questions that run through this issue, and the review of opinions it publishes opens with Miroslav Hroch’s question: What does Europe still need a nation for?
Premiere:2012
Stories From Countries Which Are no More
In 1989 Poland bordered three countries. Just a few years later none of them existed. During this memorable autumn Milan Kundera’s dream was being fulfilled: that the countries from our part of Europe return from the East, where they wrongly found themselves, to where they should be – if not in the West then at least in the Centre.
Premiere:2012
Culture and Politics
The history of humanity provides enough proof for what can be called the principle of support. Artists have supported many a regime with their talents. On the other hand, the fall of many a tyrant would not have come about without them. What is more, the power of art can be as attractive as any other form of power. To provoke thought, we take a look at the marriage of culture and politics in its different forms, today and in the past.
Premiere:2012
