Magazines list (46)

Europe on a Plate

NO. 45 2022
ON SALE

Are dumplings, bigos, or ordinary beetroots elements of our cultural heritage? Certainly, yes. "Our tables and menus reflect the entire history that swept across the continent as well as its cultural changes" writes Professor Jacek Purchla in his introduction to the recent issue of “HERITO” magazine. The potato decrees of Frederick II the Great had the same importance for our heritage as the Turkish expansion in the Balkans.

Premiere:2022

Europe and the East. Decade of the Eastern Partnership

NO. 35 2019
ON SALE

Has the East ceased to interest the West and how has the “new East” been defined after the political transition of 1989? What was the role of the Dnieper in the formation of the Ukrainian national identity and why is the future of this country dependent on this river?

Premiere:2019

Dissonant Heritage of Central Europe

NO. 29 2017
Archival

Should the Palace of Culture and Science in Warsaw be preserved or demolished? How to address the dissonant heritage of death camps and monuments to the Red Army? What is the secret to the phenomenon of some “large plate” tower blocks and Socialist Realist architecture? Are we willing to take responsibility for the entirety of material inheritance passed to us by older generations regardless of their national or ideological connotations? Authors featured in the 29th issue of “Herito” quarterly seek answers to these difficult questions.

Premiere:2017

Danube – River of Memory

NO. 31 2018
ON SALE

The Danube is not only the longest European river, flowing through ten countries, but above all a monumental medium of historical, collective, and cultural memory. Its waters reflect the history of Europe, from the antiquity, when it marked the northern frontier of the Roman Empire, through the dramatic period of the Second World War, until today.

Premiere:2018

Culture and Politics

NO. 6 2012
ON SALE

The history of humanity provides enough proof for what can be called the principle of support. Artists have supported many a regime with their talents. On the other hand, the fall of many a tyrant would not have come about without them. What is more, the power of art can be as attractive as any other form of power. To provoke thought, we take a look at the marriage of culture and politics in its different forms, today and in the past.

Premiere:2012

Croatia in Europe

NO. 11 2013
Archival

The success of its European integration does not remove certain important questions from the horizon. Who do the Croats feel themselves to be? What is national identity, and is there any sense in discussing such a construct at all? Where is the boundary between “past” and “present”? Should the Yugoslavian idea be filed in the archives of history once and for all? And what role will fall to the Croats in a crisis‑racked Europe?

Premiere:2013

Conflicts of Memory

NO. 13 2013
Archival

Each community devises specific modes of remembering, but also of forgetting uncomfortable facts. Ars memoriae and ars oblivionis constitute an inseparable pair. Common memory is a sphere that we reconstruct anew every day, even though people claim that the essence of their identity is unchanging. While history itself is a closed structure, memory is open both to individuals and to the collectivity. Collective memory reconstructs rather than registers the past; and memory is not necessarily explicit.

Premiere:2013

Concrete

CURRENT
Herito 53
NO. 53 2024
ON SALE

Two hundred years ago, Joseph Aspdin obtained the patent for the Portland concrete. This unassuming event laid the foundation for the giant revolution in the history of architecture, which changed the landscape of the whole world in the next century.

Premiere:2024

Cold War Modern Architecture

NO. 18-17 2015
Archival

Twenty years ago Adam Miłobędzki used the term “socmodernism” to denote the period from the 1950s to the 1980s, and attempted to evaluate it for the first time in The Architecture of Poland published by the ICC. The assessment was not at all favourable.

Premiere:2015

Cities for Thought

NO. 5 2011
Archival

Adam Zagajewski described present-day Lviv as a city half-existing, half-abandoned, lost and half-regained. The Lviv that the poet wrote of is at once the pars pro toto of the Central European city syndrome – not fully belonging to anyone, neither to those who live in it nor to those who lost it. And how many other cities we could insert in place of Lviv! The cities tied like a Gordian knot. But there is no Alexander to come, and we have to start patiently untangling these knots ourselves.

Premiere:2011

Carpathians

NO. 36 2019
ON SALE

They span over nearly fifteen hundred kilometres across the territories of eight countries and cover the space five times the size of Switzerland. For centuries they have offered the ground for the development of cultures and small centres of the world of the Boykos, Lemkos, Hutsuls, Wallachians, Székelys, and the Transylvanian Saxons.

Premiere:2019

Belarus

NO. 41 2021
ON SALE

Belarus is much closer to us than it appears to be at first sight: not only because of our shared history or the still ongoing democratic uprising, vividly reminiscent of the events of the 1980s in Poland and other Central European countries.

Premiere:2021

Balticum

NO. 20 2015
Archival

The Balticum as a geo-cultural community? Arguments to support this claim would probably be as numerous as sceptical voices. But it is not a question of evidence. Another issue seems to be much more important: why is it advisable to think in terms of large geo-cultural regions and what possibilities are openedby such thinking?

Premiere:2015

Austria

NO. 44 2021
ON SALE

We look at Austria through rose-coloured glasses, as a country where everyone loves waltzes, Mozart, Sacher cake, coffee, schnitzel and beer, albeit in a different order. Meanwhile, we are forgetting how varied the country is in terms of its geography, culture, and identity, stretched between two lakes – Neusiedl and Constance. Austria did not emerge ready-made on the map of Europe, but gradually built its identity and shaped its image.

Premiere:2021

Art Is Changing (a) Place

NO. 4 2011
Archival

To say that art is changing is to state the obvious. But the question of the way in which it is changing is not so trivial.

Premiere:2011

A Century On from the Great War

NO. 16 2014
Archival

We, nations of Central Europe would not be there, sovereign in our own states, without that war. The long 19th century held no encouraging prediction for any auspicious turn of history. Since the Napoleonic revolution was suppressed, despite attempts repeated hither and thither, there have been no major disturbances in the peace and stability between the great powers of the Holy Alliance; even though there were constant disturbances, and temperaments were heating up; even though civilisational progress, and national and class emancipation gained incredible momentum. Until everything erupted in 1914.

Premiere:2014

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